Stuckey, Lisa. Forensische Verfahren in den zeitgenössischen Künsten: Forensic Architecture und andere Fallanalysen (Berlin: De Gruyter, 2022).
2021
Rockenschaub, Jakob. “Gegen Massstäbe messen: Jakob Rockenschaub Über Fareed Armalys ‘The (re)Orient’ In Der Sammlungsausstellung ‘Enjoy—Die Mumok Sammlung Im Wandel,’ Wien.” Texte zur Kunst, no. 124 (December 2021): 176–179.
Armaly, Fareed, Ruhm, Constanze. “On the haus.0 program (1999–2002) im Künstlerhaus Stuttgart: Gespräch zwischen Fareed Armaly und Constanze Ruhm.” In Künstlerhaus Stuttgart: 40 Jahre 1978–2018. Edited by Hannelore Paflik-Huber (Stuttgart: av edition 2019), 372–391.
Heißenbüttel, Dietrich. “Inside Out: Fareed Armalys Programm für das Künstlerhaus. Ein Kommentar.” In Künstlerhaus Stuttgart: 40 Jahre 1978–2018. Edited by Hannelore Paflik-Huber (Stuttgart: av edition, 2019), 392–394.
Hoffmann, Jens. Show Time: The 50 Most Influential Exhibitions of Contemporary Art. UK: Thames & Hudson Limited, 2014.
2013
Braathen, Martin. “The Commercial Significance of the Exhibition Space.” In The Market: Documents of Contemporary Art. Edited by Natasha Degen, 113–118. (London: Whitechapel Gallery and Cambridge: The MIT, 2013). Originally published in 2007.
Heissenbuettel, Dietrich. “Künstlerhäuser und Stipendienprogramme.” Kunst in Stuttgart (Stuttgart: Hampp Verlag, 2013), 188–189.
2012
O’Neill, Paul. The culture of curating and the curating of culture(s). Cambridge: The MIT Press, 2012.
Eshun, Kodwo. Dan Graham: Rock My Religion (London: Afterall Books, 2012).
2011
Holert, Tom. “Artistic Research: Anatomy of an Ascent.” In Texte zur Kunst, no. 82 (June 2011): 38–63.
Rottmann, André. “Reflexive Systems of Reference/Approximations to ‘referentialism’ in contemporary art.” Rehabilitation, in MER. Paper Kunsthalle, 2011.
Marimon, Silvia. “L’altre cinema–Ni propaganda ni herois.” Time Out Barcelona (On Program of MACBA–Museum of Contemporary Art Barcelona, Spain, February 2010).
Armaly, Fareed, Esche, Charles, Hlavajova, Maria, Rhomberg, Kathrin. “Interview with Fareed Armaly.” FORMER WEST project. November 20, 2009. Audio.
2008
Rottmann, André. “Reflexive Systems of Reference/Approximations to ‘referentialism’ in contemporary art.” Texte zur Kunst, no. 71 (September 2008): 155–165.
Niekerk, Van, Anette, Leone. “Curating Globality/Producing Locality.” “Chapter 4” in Documenta 11 as examplar for transcultural curating: A critical analysis (PhD diss., University of Pretoria, South Africa), 111–117.
Green, Kate. “International Artist-in-Residence, New Works: 04.2–Fareed Armaly.” In 2004 Artpace Residencies and Exhibitions: Fareed Armaly, Erik Benson, Janice Caswell. Edited by Mathew Drutt (Texas: Artpace San Antonio, 2008).
2007
Volvey, Anne. “Land Arts. Les fabriques spatiales de l’art contemporain.” Travaux de l’Institut de Géographie de Reims 129–130 (2007): 3–25.
Dauphin, Claudine. “L’Ame de Gaza à Genève: le défi de l'archéologie à l’occupation et à la guerre dans la ville de la Paix.” Dialogue 19 (2007): 17–26.
Kincinaitis, Virginijus. “Klasika.” LNRT RADIO (Interview/Discussion
Fareed Armaly, Nomeda and Gediminas Urbonas), April 16, 2004.
Johnson, Julie M.. “Museum in Progress.” In Blueprints for No-Man’s Land. Edited by Janet Stewart and Simon Ward. Peter Lang: International Academic Publishers, 2004.
Grabes, Herbert. “Neue Radikalität in der frühen Postmoderne.” In Einführung in die Literatur und Kunst der Moderne und Postmoderne: die Ästhetik des Fremden (Tübingen: A. Francke Verlag Tübingen und Basel, 2004): 88.
“Ute Meta Bauer and Mark Nash in conversation.” In The Producers: Contemporary Curators in Conversation. Edited by Susan Hiller and Sarah Martin. BALTIC and University of Newcastle, 2002, 57–58.
Vogel, Sabine. “Korridor der Stimmen.” Artis (November 1993): 16–20.
BüroBert. “Contact—Korrespondenz/Gespräch mit BüroBert.” In Copyshop, Kunstpraxis und politische Öffentlichkeit, ein Sampler von BüroBert (October 1993).
Van Synghel, Koen. “Fareed Armaly, Palais voor schone kunsten.” De Kunstberg, BRTN radio, August 23, 1993.