Biblio (sel.)

Fareed Armaly

Introduction

Many of these selected references include a link to the original text or a key excerpt, as well as an English translation if necessary.

2023
- Armaly, Fareed. The (re)Orient
  Berlin: Fareed Armaly, 2023.
- Nash, Mark. “The Illogics of Kassel (with Apologies to Enrique Vila-Matas).”
  estetica. studi e ricerche 2 (2023): 317–324.
- Hovhannisyan, Marianna. “The Aghed and its Displacement Paths as Collecting Practices: From Marzovan to Fresno.”
  Stedelijk Studies Journal 12, January 10, 2023. Online Publication.
2022
- Armaly, Fareed. “The (re)Orient.”
  Akademie der bildenden Künste Wien. April 07, 2022. Talk and Presentation.
- Stuckey, Lisa. Forensische Verfahren in den zeitgenössischen Künsten: Forensic Architecture und andere Fallanalysen
  (Berlin: De Gruyter, 2022).
- Buchmann, Sabeth. “Infrastructure as diagrammatic disposition: Fareed Armaly’s From/To (1999/2002).”
  In Between the material and the possible: infrastructural re-examination and speculation in art. Edited by Bassam El Baroni. (Edith-Russ-Haus, London, and Oldenburg: Sternberg Press, 2022), 5–18.
- Sever, Hande. “Empty Fields Revisited.”
  In Perspectives on In/stability, ed. Delinda Collier and Robyn Farrell (Art Institute of Chicago, 2022).
2021
- Rockenschaub, Jakob. “Gegen Massstäbe messen: Jakob Rockenschaub Über Fareed Armalys ‘The (re)Orient’ In Der Sammlungsausstellung ‘Enjoy—Die Mumok Sammlung Im Wandel,’ Wien.”
  Texte zur Kunst, no. 124 (December 2021): 176–179.
2020
- Wilson-Goldie, Kaelen. “Let the Record Show: Kaelen Wilson-Goldie on Rayyane Tabet.”
  Artforum International 58, issue 6 (2020).
2019
- Armaly, Fareed, Ruhm, Constanze. “On the haus.0 program (1999–2002) im Künstlerhaus Stuttgart: Gespräch zwischen Fareed Armaly und Constanze Ruhm.”
  In Künstlerhaus Stuttgart: 40 Jahre 1978–2018. Edited by Hannelore Paflik-Huber (Stuttgart: avedition; Auflage, 2019), 372–391.
- Heißenbüttel, Dietrich. “Inside Out: Fareed Armalys Programm für das Künstlerhaus. Ein Kommentar.”
  In Künstlerhaus Stuttgart: 40 Jahre 1978–2018. Edited by Hannelore Paflik-Huber (Stuttgart: avedition; Auflage, 2019), 392–394.
- do Brito, Philipp Fernandes. “Wilhelm Schürmann in Conversation with Philipp Fernandes do Brito.”
  Sediment 30 (2019). | EN translation
2018
- Armaly, Fareed. “Making an Entrance.”
  In Place.Labour.Capital. Edited by Ute Meta Bauer and Anca Rujoiu (Singapore: National University of Singapore Press, 2018).
- Alessandrini, Michela, Gabriel, Lore, Nabeyrat, Estelle. “École du Magasin (1987–2016): How Fitting an End.”
  Art & Education (February, 2018).
2017
- Rasmussen, Mikkel Bolt. “A Note on Socially Engaged Art Criticism.”
  Field 6 (February 2017).
2016
- Michalka, Matthias, ed. to expose, to show, to demonstrate, to inform, to offer. Artistic Practices around 1990.
  Köln: Walther König, 2016.
- Armaly, Fareed, Ault, Julie. “Past Present: A Conversation Between Fareed Armaly and Julie Ault.”
  In to expose, to show, to demonstrate, to inform, to offer. Artistic Practices Around 1990. Edited by Matthias Michalka. Köln: Walther König, 2016, 195–203.
2015
- “1985–1995 Exhibition Views.”
  mousse magazine no. 51 (December 2015–January 2016).
- Armaly, Fareed. Contact
  Limited artist edition version of 1992 exhibition publication. mumok, Vienna, 2015.
2014
- Volvey, Anne. “Entre l’art et la géographie, une question (d’)esthétique.”
  Belgeo: Art(s) & Espace(s)/Art(s) & Space(s) 3, (2014): 2–22.
- Draxler, Helmut. “The Turn from the Turns: An Avant-Garde Moving Out of the Centre (1986–1993).”
  In Exhibition as Social Intervention: ‘Culture in Action’ 1993–Exhibition Histories 5. London: Afterall Books, October 31, 2014, 44–64.
- Aupetitallot, Yves. “Project Unité à Firminy–Entretien avec Yves Aupetitallot.”
  MAY Editions 4, no. 12 (2014): 84–111. | EN translation
- Hoffmann, Jens. Show Time: The 50 Most Influential Exhibitions of Contemporary Art.
  UK: Thames & Hudson Limited, 2014.
2013
- Armaly, Fareed. “New Muse: The Museum Exhibition Design as Hubris.”
  In D.A.: A Transdisciplinary Handbook of Design Anthropology. Edited by Yana Milev, 303–318. Peter Lang International Academic Publishers, Frankfurt Am Main, 2013.
- Braathen, Martin. “The Commercial Significance of the Exhibition Space.”
  In The Market: Documents of Contemporary Art. Edited by Natasha Degen, 113–118. (London: Whitechapel Gallery and Cambridge: The MIT, 2013). Originally published in 2007.
- “The Dupes (Tewfik Saleh, 1972).”
  The Criterion Collection, Imagined Criterion Collection Releases, 2013.
- Altshuler, Bruce. Biennials and Beyond: Exhibitions that Made Art History: 1962–2002.
  UK: Phaidon Press, April 2013.
- Buchmann, Sabeth. “The (Re)Animation of Medium Specificity in Contemporary Art.”
  In Contemporary Art 1989 to the Present. Edited by Alexander Dumbadze and Suzanne Hudson (Chichester, West Sussex: Wiley-Blackwell), 107–117.
- Heissenbuettel, Dietrich. “Künstlerhäuser und Stipendienprogramme.”
  Kunst in Stuttgart (Stuttgart: Hampp Verlag, 2013), 188–189.
2012
- Armaly, Fareed, Bauer, Ute Meta. “Mel Chin // In Conversation with Fareed Armaly and Ute Meta Bauer // 1997.”
  In NATURE; Documents of Contemporary Art.
  London: Whitechapel Gallery, London and MIT Press, 2012.
- O’Neill, Paul. The culture of curating and the curating of culture(s).
  Cambridge: The MIT Press, 2012.
- Eshun, Kodwo. Dan Graham: Rock My Religion
  (London: Afterall Books, 2012).
2011
- Holert, Tom. “Artistic Research: Anatomy of an Ascent.”
  In Texte zur Kunst, no. 82 (June 2011): 38–63.
- Rottmann, André. “Reflexive Systems of Reference/Approximations to ‘referentialism’ in contemporary art.”
  Rehabilitation, in MER. Paper Kunsthalle, 2011.
2010
- Peeters, Tom. “Van rotzooi naar kunst.”
  De Tijd, (April 21, 2010): 28. | EN translation
- Armaly, Fareed. “Tewfik Saleh: Curated Cinema Series.”
  (Talks, cinema series presentation, MACBA, Barcelona, Spain, February 17, 2010–March 17, 2010).
- Marimon, Silvia. “L’altre cinema–Ni propaganda ni herois.”
  Time Out Barcelona (On Program of MACBA–Museum of Contemporary Art Barcelona, Spain, February 2010).
2009
- Draxler, Helmut. “Das Eigentum an den Eigenschaften.”
  In Sammlung Kienzle Texte/Werke (Berlin: Kienzle Art Foundation, 2009), 34–37. | EN translation
- Armaly, Fareed, Esche, Charles, Hlavajova, Maria, Rhomberg, Kathrin. “Interview with Fareed Armaly.”
  FORMER WEST project. November 20, 2009. Audio.
2008
- Armaly, Fareed. “Crossroads and Contexts: Interviews on Archeology in Gaza.”
  Journal of Palestine Studies 37, no. 2 (Winter 2007/8): 43–81.
- Rottmann, André. “Reflexive Systems of Reference/Approximations to ‘referentialism’ in contemporary art.”
  Texte zur Kunst, no. 71 (September 2008): 155–165.
- Niekerk, Van, Anette, Leone. “Curating Globality/Producing Locality.”
  “Chapter 4” in Documenta 11 as examplar for transcultural curating: A critical analysis (PhD diss., University of Pretoria, South Africa), 111–117.
- Schöllhammer, Georg. “Die Position von gestern in Frage stellen.”
  Springerin, Hefte für Gegenwartskunst 8, no. 1 (February 15, 2008). | EN translation
- Green, Kate. “International Artist-in-Residence, New Works: 04.2–Fareed Armaly.”
  In 2004 Artpace Residencies and Exhibitions: Fareed Armaly, Erik Benson, Janice Caswell. Edited by Mathew Drutt (Texas: Artpace San Antonio, 2008).
2007
- Volvey, Anne. “Land Arts. Les fabriques spatiales de l’art contemporain.”
  Travaux de l’Institut de Géographie de Reims 129–130 (2007): 3–25.
- Naef, Silvia. “Meeting point.”
  Canvas Magazine, UAE, November/December 2007.
- Dauphin, Claudine. “L’Ame de Gaza à Genève : le défi de l'archéologie à l’occupation et à la guerre dans la ville de la Paix.”
  Dialogue 19 (2007): 17–26.
- Armaly, Fareed. ““Shar(e)d Domains” Domaines fragmentés en partage.”
  In Gaza à la croisée des civilisations. Edited by Marc-André Haldimann and et al. Neuchâtel: Chaman Edition, 2007. Exhibition publication/museum catalogue.
- Draxler, Helmut. Coercing Constellations: Space, Reference and Representation in Fareed Armaly.
  Berlin: b_books, Reihe PoLYpeN, 2007.
- Heissenbüttel, Dietrich. “Wo die Karawanenrouten enden.”
  Stuttgarter Zeitung.de, August 24, 2007. | EN translation
- Wilson-Goldie, Kaelen. “Obsidian chunks, a vitrious mass, a broken sundial and an object lesson.”
  The Daily Star, August 1, 2007.
- Heissenbüttel, Dietrich. “Bruchstücke, neu zusammengefügt.”
  Neue Züricher Zeitung (NZZ), July 3, 2007. | EN translation
2005
- Farzanefar, Amin. “Wann wurde ich ein deutscher Künstler?: Die Spur der Steine.”
  Quantara.de, November 11, 2005.
- Rollig, Stella. “Contemporary Art Practices and the Museum: To Be Reconciled at All?.”
  Last modified October 08, 2005. transform.eipcp.net/correspondence/rollig-cp01en/print
2004
- Goddard, Dan. “Exhibit explores split between U.S., France.”
  San Antonio Express-News, August 08, 2004.
- Kincinaitis, Virginijus. “Klasika.”
  LNRT RADIO (Interview/Discussion
  Fareed Armaly, Nomeda and Gediminas Urbonas), April 16, 2004.
- Armaly, Fareed. “Feursee Footnotes.”
  In Stadluft, Wendelien van Oldenborgh. Frankfurt: art3 Valence and Revolver Verlag, 2004.
- Johnson, Julie M.. “Museum in Progress.”
  In Blueprints for No-Man’s Land. Edited by Janet Stewart and Simon Ward. Peter Lang: International Academic Publishers, 2004.
- Grabes, Herbert. “Neue Radikalität in der frühen Postmoderne.”
  In Einführung in die Literatur und Kunst der Moderne und Postmoderne: die Ästhetik des Fremden (Tübingen: A. Francke Verlag Tübingen und Basel, 2004): 88.
2003
- Armaly, Fareed. “From/To.”
  In Remapping the Region: Kultur und Politik in Israel/Palästina. Culture and Politics in Israel/Palestine. Folio Verlagsges. Mbh. 2003.
- Armaly, Fareed. haus.0
  www.haussite.net Website for haus.0 program.
- Holert, Tom. “Blood of the poets: The tribal ’80s.”
  Artforum International Magazine 41, no. 7 (March 2003).
- Fernández, Maria. “A Critical Perspective.”
  Nka Journal of Contemporary African Art 18 (Spring/Summer 2003): 48–55.
- Hushegyi, Gábor. “A művészet helyszínei: Kassel és Frankfurt, valamint a hiányzó 6. Platform.”
  Kalligram 2 (2003): 75–85.
2002
- Heissenbüttel, Dietrich. “Netzwerke der Erkenntnis.”
  TAZ Report 3, no. 6920 (December 2002). | EN translation
- Heißenbüttel, Dietrich. “Netzwerke in Ziegelmauern.”
  Stuttgarter Zeitung, November 15, 2012.
- McNeill, David. “Documenta 11 Takes On Masters of the Universe.”
  Artlink 22, no. 4 (2002): 28–31.
- Armaly, Fareed. From/To
  fromto.withthis.net Artist Project Website.
- Weibel, Peter. “Mein Documenta Favorit. . .Über Fareed Armalys documenta 11 Arbeit.”
  Stuttgarter Zeitung, no. 194 (August 22, 2002). | EN translation
- Graw, Isabelle. “Das Diagramm–Fareed Armaly und Rashid Mashawari.”
  Frankfurter Rundschau, August 7, 2002. | EN translation
- Wulffen, Thomas. “From/To, Documenta Issue.”
  Kunstforum International 161 (August–October 2002). | EN translation
- Rundfunk, Hessischer. “Geschichte/Geschichten III: Fareed Armaly und Rashid Masharawi.”
  documenta Tagebuch Beitrag, hr-online, July 4, 2002.
- Lapp, Axel. Documenta 11/2
  Art Monthly 258 (Jul-Aug, 2002): 7–10.
- Kaufmann, Susanne. “On Künstlerhaus Stuttgart/Documenta11 project.”
  SWR-TV Culture Journal (June 2002).
- Seyfarth, Ludwig. “Palästinas Identitätskonflikt wird sichtbar: Fareed Armaly.”
  FAZ, May 17, 2002.
- Armaly, Fareed. “An interview with the Palestinian filmmaker Rashid Masharawi.”
  springerin 8, no. 2 (April 2002).
- Bovier, Lionel. “Interview with Fareed Armaly.”
  In Jack Goldstein. (Grenoble: Le Magasin, 2002).
- Smith, Terry. “Exhibiting the Postcolonial Constellation.”
  documenta 6 platforms. 2002. Online publication.
- Holmes, Brian. “Interaction in Contemporary Art.”
  In Hieroglyphs of the Future. Zagreb: Arkzin Communications, 2002–03.
- Nash, Mark. “Art and Cinema: Some critical reflections.”
  In Documenta 11_Platform 5: Exhibition Catalogue, (Cantz 2002): 129–136.
- Armaly, Fareed. “From/To.”
  In Documenta 11_Platform 5: Exhibition Catalogue, (Cantz 2002): 166–167.
- Höller, Christian. “Production of Disappearance: The Jack Goldstein Retrospective in Magasin, Grenoble.”
  springerin 01 (2002).
2001
- Hoffmann, Gabriele. “In der Schusslinie.”
  Taz 4, no. 6617 (Arpil 12, 2001): 16.
- “Ute Meta Bauer and Mark Nash in conversation.”
  In The Producers: Contemporary Curators in Conversation. Edited by Susan Hiller and Sarah Martin. BALTIC and University of Newcastle, 2002, 57–58.
- Draxler, Helmut. “Der Allegorische Impuls des Kuratierens.”
  springerin, Hefte für Gegenwartskunst, Band V11, Heft 3. | EN translation
- Van Oldenbergh, Wendelien. “Letter from Stuttgart: A Conversation with Fareed Armaly.”
  NICC (Spring 2001).
- Sommerman, Eileen. “Three Dimensions.”
  Canadian Arts, 2001.
- Urbonas, Nomeda and Gediminas. “A Chat conversation with Fareed Armaly.”
  Transaction, 2001.
- Putnam, James. Art and Artifact - The Museum as Medium
  UK: Thames & Hudson, 2001.
2000
- Armaly, Fareed, Bauer, Ute Meta. “Mel Chin Conversando con Ute Meta Bauer y Fareed Armaly.”
  In Trans> arts.culture.media, no. 8 (2000): 174–182.
- Dorn, Anja. “haus.0 [. . .].”
  Metropolis, February 2000.
1999
- Armaly, Fareed. “From/To.”
  Project. Rotterdam: Witte de With Center for Contemporary Art, 1999. Exhibition brochure.
- Puvogel, Renate. “From/To, Fareed Armaly, Witte de With, Rotterdam; 28.1— 21.3.1999.”
  KUNSTFORUM International, vol. 145 (Mai—Juni 1999): 402–403. | EN translation
- Blomberg, Katja. “Wege auf einem Kieselstein.”
  Feuilleton Frankfurter Allgemeine Zeitung, March 09, 1999, 54. | EN translation
- Holmes, Brian. “Steine im Garten der Aesthetik. Ueber Fareed Armaly‘s Austellung From/To.”
  springerin vol. V ( February 1999).
- Holmes, Brian. “De l’interaction en art contemporain.”
  Parachute, 1999.
- Liebs, Holger. “From/To.”
  Frieze (May 1999).
1998
- Loges, Alexandra, Harms, Soren. “Kulturthema der Woche: Keine Nostalgie.”
  Hamburger Rundschau, no. 31 (July 30, 1998). | EN translation
- Wittneven, Katrin. “Wechselkurse.”
  Neue Bildende Kunst (April 1998): 5.
1997
- Jahn, Wolf. “Bridge/The Map Is Not the Territory.”
  Artforum International Magazine (December 1997).
- Sonna, Birgit. “Im Spiegelkabinett der Geschichte.”
  Sueddeutsche Zeitung, November 14, 1997. | EN translation
- Blase, Christoph. “Der Synthesizer gewinnt immer.”
  Feuilleton Frankfurter Allgemeine Zeitung (October 31, 1997): 39.
- Saxenhuber, Hedwig. “Relatives Scheitern?.”
  springer III, no. 3 (1997).
- Armaly, Fareed. “Parts, vol. 1: “Arkaden/Eingang” individual exhibition project by Fareed Armaly.”
  In Synchronize. Edited by Fareed Armaly. Munich: Kunstverein Munich, 1997. Artist publication.
- Armaly, Fareed, Bauer, Ute Meta. “Information education entertainment:
  ? section in NowHere, Louisiana Museum of Modern Art, Denmark.”
  Art and Design Profile no. 52 (1997): 82–86.
1995
- McFadden, Sarah. “Report from Cologne: Changing of the Guard.”
  Art in America 83, no. 2 (February 1995): 50–57.
- Holert, Tom. “Am Ende des Dualismus: Architektur als Medium?.”
  Texte zur Kunst (1995). | EN translation
- Blase, Christoph. “Wehe, wenn die Werke nicht mehr senden.”
  Feuilleton Frankfurter Allgemeine Zeitung
  (January 24, 1995): 27.
- Zahm, Olivier. “The Present Everyday.”
  Acme Journal no. 2, 1995.
- Vogel, Sabine B.. “Cross-Over. Ein Interview mit Fareed Armaly.”
  Artis, 1995, 50–55. | EN translation
1994
- Perrin, Frank. “New Deals–Contexts and Decodings.”
  Flash Art 27, no. 175 (March/April 1994).
1993
- Quick, Brenden. “Fareed Armaly.”
  Frieze 58 (November–December 1993).
- Vogel, Sabine. “Korridor der Stimmen.”
  Artis (November 1993): 16–20.
- BüroBert. “Contact—Korrespondenz/Gespräch mit BüroBert.”
  In Copyshop, Kunstpraxis und politische Öffentlichkeit, ein Sampler von BüroBert (October 1993).
- Van Synghel, Koen. “Fareed Armaly, Palais voor schone kunsten.”
  De Kunstberg, BRTN radio, August 23, 1993.
- Lambrecht, Luk. “Brea-kd-own.”
  Blocnotes, no. 4 (Summer 1993): 84.
- “KulturTrends der Neunziger.”
  FOCUS, no. 27 (1993).
1992
- Zahm, Oliver. “Fareed Armaly: Galerie Christian Nagel.”
  Artforum 31, no. 1 (September 1992).
- Draxler, Helmut. “Fareed Armaly: The Nature and Method of Cultural Production.”
  Flash Art 25, no. 165 (Summer 1992).
- Blase, Christoph. “Zwischen weißen Vögeln.”
  Frankfurter Allgemeine Zeitung, no. 54 (March 4, 1992): 36.
- Leen, Frederik. “The critique of the system of sign–exchange rates.”
  Forum International, no. 12 (March 1992): 62–69.
- Armaly, Fareed. Contact.
  Köln: Galerie Christian Nagel (February 11–March 14, 1992), 1991. Artist exhibition publication.
- Graw, Isabelle. “Short Story.”
  Forum International 3, no. 11 (January–February 1992).
1991
- Blase, Christoph. “Vom Betrachter zum Benutzer: Fareed Armaly.”
  Kunst-Bulletin, no. 11 (July/August 1992): 14–19.
- Gremer, Stefan. “Im Sichtfeld des Feindes.”
  Texte zur Kunst, no. 3 (Sommer 1991).
- Fiedler, Elisabeth. “Verständnis für Verbindung aus Avantgarde und Wirtschaftlichkeit.”
  NZ, May 8, 1991.
- Draxler, Helmut. “Fareed Armaly, Maison de la Culture.”
  Artforum (January 1991).
1990
- Troncy, Eric. “Fareed Armaly, Maison de la Culture.”
  Artscribe (November–December 1990).
- Blase, Christoph. “Orphée 1990.”
  Das kunstbulletin, no. 9 (September 1990): 33.
- Jaber, Hana. “(re)Orient.”
  Al-Hayat (August 30, 1990): 12.
- Lambrecht, Luk. “Orphée 1990.”
  Knack (July 7, 1990): 18.
- “The Köln Show.”
  Artscribe (Summer 1990): 13.
- Bourriaud, Nicolas. “Un art de réalisateurs.”
  Art press 147 (May 1990).
- Draxler, Helmut. “Perspectivismus.”
  Noema, February 1990.
- Armaly, Fareed. “On Musical Biographies: JAMC.”
  Spex (January 1990): 64.
- Armaly, Fareed. “Supply Song.”
  In Nachschub. Cologne: Spex. Exhibition catalogue.
- Armaly, Fareed. Orpheé 1990.
  Saint-Etienne: Maison de la culture et de la communication. Artist publication.
1989
- Zahm, Olivier. “(re)Orient, Fareed Armaly, Galerie Lorenz.”
  Flash Art (December 1989).
- Armaly, Fareed. (re)Orient.
  Paris: Galerie Lorenz, 1989. Exhibition brochure.
- Kepler, Thomas. “Bilder vom Orient.”
  Taz, October 19, 1989.
- Fellner, Raija. “International Landscape.”
  Artefactum (May 1989): 48.
- Blase, Christoph. “International Landscape.”
  Artis 41 (1989): 36–39.
- Jaber, Hana. “The Orient sees itself through a vision that is closer.”
  Al-Hayat, 1989.
- Armaly, Fareed. “Displaced Passage.”
  In International Landscape. Munich: Galerie Dürr.
- Armaly, Fareed. R.O.O.M.
  Cologne, 1989. Artist Publication.
1988
- Czöppan, Gabi. “Wechselkurse–Fareed Armaly bei Buck & Nagel.”
  Münchner Stadtzeitung, January 1988. | EN translation
- Hoffman, Justin. “Von Erinnerungen, Popmusik und Denkarbeit.”
  Wolkenkratzer Art Journal, no. 3 (May–June, 1988): 85.
1987
- Armaly. Fareed. Terminal Zone.
  New York, 1987. Artist Publication.

Introduction

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